Dimensional Bead Embroidery

Jamie Cloud Eakin

Lark Jewelry & Beading

One of my favorite pastimes during my childhood was embroidery work. A trip to the local Ben Franklin store filled me with sweet anticipation. The array of colored floss would pull me in like a magnet. Hoops and needles were neatly arranged on the shelves, along with stamped pillow cases, dollies, bibs, hand towels and other sundry items. Once the selections were made, I knew my weekend days would be filled with the joy of making French knots, satin, running, stem, feather, tent stitches, etc.

The book “Dimensional Bead Embroidery” takes one on a new adventure in embroidery land. But this time, the allure is the beads. I had attempted bead embroidery before without too much success, but this book is a wonderful aid. Its primary focus is bead embroidery techniques for all levels of experience. The photographic images and drawings are well defined and very instructive in illustrating the various concepts.

In each chapter, the reader is taken by the hand and led down the yellow brick road. From basic techniques to specific stitches and then on to components, no brick is left unturned. If your design calls for a cabochon focal point, the instructions point the way. Some projects can be completed in an evening, others take more time.

What is the hurry though? In the long run, the land of “Dimensional Bead Embroidery” is a wonderful awakening experience.

The Craft of Silversmithing

Alex Austin

Lark Jewelry


Have you ever watched a silversmith take a flat sheet of metal and transform it into a three dimensional object? It is not a magical apparition. Simple hammering, filing and folding produce a lovely baby spoon keepsake. Straight silver rods can be forged to design well balanced cutlery place settings. Sinking and raising will change the nature of the metal.

All of the projects in this book are beautifully photographed. They provide prime examples of what occurs when metal is “moved.”

Many years ago Heikki Seppa took me on a wild ride to the “Craft of Silversmithing.” When I was working in his studio I reminisced about my childhood trip to Williamsburg. I watched in amazement as the metal was manipulated into a beautiful goblet. But, in my adult life, observing and working in the master’s studio stoked my fire. Heikki’s fingers were an extension of the metal as he first cut out the sheet and put it on the rolling mill to reduce it down. He then began the process of turning the gold into a labor of love. The finished goblet reflected shimmering rays of light from its beautifully formed contours.

This book contains many intriguing projects. Some are more complex than others. I was particularly intrigued by the spatula and pies sever. What lovely utensils to utilize when entertaining company. My husband and I have been married over sixty years. We still cherish the beautiful hand crafted cup out of which we first sipped the sweet wine.

This book “The Craft of Silversmithing” goes above and beyond many “how-to” tomes. Its presentation is beautiful and the finished projects will become “keepsakes” for all to savor from generation to generation.

A Bounty of Bead and Wire Earrings

Nathalie Mornu

Lark Jewelry & Beading


Holiday shopping this year was a wonderful experience. For the first time, in what seemed to be a long time, the stores were filled with shoppers. They were actually carrying bags and not just window shopping.

Many of the jewelry counters were filled with a sparkling array of items. Many customers were displaying an avid interest in earrings. In the past when shopping for these ear lobe enhancers, I would usually focus on a single pair. Not so for the today younger and older set. Multiple chandelier, studs, pearls, cz’s and other stunners protrude and hang in profusion from pierced ears and rims, noses, lips, eyebrows, belly buttons, and god knows where else.

This book “A Bounty of Bead & Wire Earrings,” gives the reader an array of choices of styles and materials from which to choose. The basics, before starting out, are all presented at the beginning. And then project after project is presented with detailed instructions and glorious pictures. No guess work here.

Chains, wire wrapping, seed beads, faceted beads, round beads, pearls, briolette, fire polished beads, etc., are utilized in fanciful designs. Delicate charms and crystals are arranged on dainty chains. Each project is geared to the young at heart.

Wherever your piercing, “A Bounty of Bead & Wire Earrings” will certainly fill your “holely” spirit.

The Art and Craft of Making Jewelry

Joanna Gollberg

Lark Jewelry

Did you ever get the feeling that there was something pulling at you?
Many years ago when visiting a small gallery in LA, I experienced this visceral feeling. The exciting handcrafted jewelry displayed in the cases held me spell bound. I had made up my mind. Inasmuch as I was now a retired educator, I was ready to learned new skills. Taking workshops and college courses in the art and craft of making jewelry led me down a new path of self discovery. The flow and eventual control of the solder was mesmerizing. Sawing and texturing the various nonferrous metals presented many challenges. Designs were conceived and often reworked.

Joanna Gollberg’s book “The Art & Craft of Making Jewelry” gives each of us the vicarious pleasure of “making.” In the beginning we are introduced to a profusion of tools and equipment. Both the flex shaft machine and its attachments are discussed along with soldering tools and other materials. She furnishes the reader lists of the necessary tools that are a prerequisite for successful jewelry making. Pattern transfers, sawing, piercing, chasing, cold connections, tube riveting, hot techniques, finishing, forming, texturing, cuttlebone casting, reticulation, etc., are all presented in full color. We are then able to follow the beautiful illustrated step-by-step instruction to complete the specific projects.

This book is outstanding and the gallery pictures are awesome. As I stated, I have taken many workshops and classes through the years. Many of the processes I have learned are elucidated in this extremely informative book.

The winner of the "Lark 15 Series 500" book contest is Colleen White.  The winner of "Mastering Peyote Stitch" is Debbie Otto.  Congratulations to both of the lucky winners.

Bench Tips for Jewelry Making

101 Useful Tips from Brad Smith

Throughout the years, our metalsmithing guild, The Society for Midwest Metalsmiths, has published a newsletter.  Our membership has gleaned a great deal of valuable information that Brad Smith has shared.  How lucky we all are that these words of wisdom are now in a book form.

This small treasure covers a multitude of solutions to a myriad of issues facing the jewelry artisan.  A couple of years ago, during root canal surgery, a small piece of the drill broke in my husband’s tooth.  I don’t know if a solution of alum would have worked in this case, but I do know that it works, as Brad recommends, in removing a drill bit from a gemstone.

One doesn’t need a doctor’s prescription to cure these jewelry making maladies. Cutting a bolt, drilling a gemstone, sanding tight spots, modifying pliers, testing for silver, identifying solder, easier prong setting., etc., are all there at one’s finger tips.  The how-to topics go on and on.  The easy to understand text and very good photographic black and white images makes this book quite self-explanatory.

I would give Brad Smith a DM “Doctor of Metalsmithing” degree and top honors for his wonderful dissertation of “Bench Tips for Jewelry Making.”    

Mastering Peyote Stitch

Melinda Barta

Projects by the talented artists Jean Campbell, Lisa Kan,  Carole Ohl, Melanie Potter, Jean Power, Cynthia Rutledge, and Sherry Serafini are featured in this book published by Interweave.   It is amazing how busy individuals find time to contribute so much.  Their natural skills and consummate love of this medium is mind boggling.

As I reviewed the basics, nothing was overlooked.  We were led down the seed-bead laden path to numerous discoveries. No compass necessary to find your way. Technique after technique had been explored and presented in an easy to follow format.  The projects are photographed well and the arrow language is not spoken in a foreign tongue.

Flat, circular and tubular patterns are all there to savor and then can be reproduced by examining all the projects.  The colors and sizes of the seed beads are readily available.  No treasure hunt or map necessary to follow intriguing patterns.  If one doesn’t have a clue where to shop for the beads and findings, the resource section tells it all.

I was particularly drawn to the geometric shapes on page 81.  Although math wasn’t my strong suit, anyone can get an A for this project without being the “teacher’s pet.”  Invaluable skills introduced for making eye catching toggle clasps. 

The world of peyote stitch is now yours to explore in this exciting book.  Have a wonderful adventure.

“A Bounty of Bead and Wire Bracelets”

“A Bounty of Bead and Wire Necklaces”

Hi Ho Silver

When recently reviewing these two books, it felt like I was back in the “Old West.”  I wasn’t out capturing outlaws to collect a bounty.  But, Lark Books had awarded the readers an abundance of fun, fast jewelry projects.  One was the Nexas bracelet which captured carnelian beads in intertwined jump rings.  Another was the Fiesta necklace utilizing a bountiful color combination of beads.

One doesn’t need any esoteric supplies, just a desire to create.  The instructions for the stylish cuffs, bangles, charm bracelets, pendants, etc., all are very well laid out.  Whether your trigger finger is bent out of shape, or your but is sore from spending all that time in the saddle seat, these books will pique your interest.  Soon you will be at your workbench and on your way to exciting new conquests.

  

The winner of the random book giveaway contest ending Nov. 30, 2012 is Sandra Smith of Santa Ana, CA.  Happy beading, Sandra.

The Winner is

CONGRATULATIONS TO MITZI WARREN, THE WINNER..

I Can Herringbone

Sounds Fishy to Me

Many years ago I made my husband a scarf on a six harness table loom. It was a herringbone black and white pattern. Unfortunately, I didn’t dress the loom with enough warps, but I told him I had designed it to be worn as an ascot. He said “this sounds fishy to me,” but he wore it on a few cold winter nights. Looked very dashing!

The book “I Can Herringbone, by Lark Books leads the reader from the basic stitch to the more advanced techniques. Once again, as in all good presentations, we are introduced to the materials and tools. The chapters explore flat herringbone stitch projects, tubular, and variations on this theme. Final chapter explores bezeled stone creations. All very large illustrations show the working thread in black, and there is further clarification of needle path.

Most of the designs utilize the ubiquitous size 15’s 8’s, or 11’s seed beads. Thus because many of us stockpile these sizes, we can be off and stitching. Projects are presented for different levels of difficulty.

Nothing is an insurmountable challenge.

It was really interesting to view these projects in the context of their herringbone technique. If I decide to make the willow lariat it will be easy. I won’t have to guess the finished length. The dimensions are spelled out. Nothing fishy here.

Jewelry Illustration

It’s All in Your Hands

My youngest grandson “sees.”  He can think of or look at an object, put his own spin on it, and render it in his own unique visual language.  I marvel at this inborn ability.

When I attended art school, my lament was, “I am very creative, but I can’t draw well.”  My instructor turned a deaf ear and a blind eye to my protestations.  He soon demonstrated to me that I could.  My renderings replicated my design concepts.  It didn’t happen overnight, but my eyes finally become adjusted to the “light.”  What fun! 

Even though one may not have an innate ability to render a concept on paper, this book does an excellent job of presenting rendering and scaling jewelry designs in the proper perspective.  One begins with two dimensional drawings and then proceeds to the more advanced processes.  Use of both light and shadow are explored along with shading flat and smooth surfaces.  Various texturing techniques are explained also.  If one looks at a gemstone with its many brilliant surfaces and tries to duplicate that on paper, the answers are uncovered.

From these two dimensional drawings to the more complex ones, these tools are all here.  This book puts them all in your hands.  Just a matter of removing one’s blinders and “seeing.”   

The Metalsmith's Book of Boxes & Lockets

Many years ago I attended classes at Craft Alliance, which is a wonderful craft center in St. Louis, Missouri.  The metalsmithing studio was well equipped with a  more than ample library.  The books on the shelf ranged from Tim McCreight’s small wonder “The Complete Metalsmith, to “Form Emphasis for Metalsmiths,” Heikki Seppa, and “Jewelry ConceptsTechnology,” Oppi Untracht.

The students ranged from beginner to the more advanced.  One particular student caught my attention.  She was very reserved, but extremely focused.  Each week I marveled at her mastery of the metal and its adaptability to her design requirements.  Her finished container with its reticulated top was a “piece de resistance.”

I was delighted to discover Debbie LaFara as one of the featured artist in “The Metalsmith’s Book of Boxes & Lockets” by Tim McCreight.  She started with a sheet of metal, cutting out shapes for the body and legs.  Her tiny cylindrical hinges fit like a glove.  Her soldering skills were impeccable.    

As I perused the book, many metalsmithing processes were presented to the reader.  The instructive photographs, along with the author’s excellent detailed step by step process, made a wonderful source of information for both the novice and more advanced metalsmithing practitioners.  The book begins with building a box and continues on to explore hinges, lids, catches, tubing, soldering techniques, and finishing

Even if one has not advanced to Debbie’s level, this book’s contents are a treasure trove of information.  It is very obvious that one does not have to feel “boxed in” when exploring one’s own creativity as displayed by the multitude of  beautiful and innovative boxes and lockets displayed therein.

  

Contest Winners

Hip, Hip, Hooray:  The following contest winners have been announced.

Lark Box of Books

Winner:  Twyla Harbick of Springfield, Oregon

Lark Books Contest Ending October 31, 2012

Winner:  Wendy - Sent her an email.  Last name unknown.

Interweave "Halloween Treat-Not Trick Contest"

Winner:  Ellen Turner

Build Your Own Wire Pendants

No Brick or Mortar Required

I remember as a child, I had envisioned building a skyscraper. My architectural aspirations were not to be realized. However, my creative spirit was fulfilled with my jewelry design concepts; albeit on a much smaller and less grand scale.

As I proceeded, the ideas were first executed on paper. I had a large drafting table ready to go. The materials were chosen and all additions and subtractions were noted before proceeding.

Kalmbach Press has recently published “Build Your Own Wire Pendants” by Kimberly S. Berlin. After initially setting forth the tools, materials, techniques, the author sits down at the drawing board and executes her customized frames with an assortment of beautiful beads and cabochons. Many of the frames have been embellished with twisted and hammered wire. They are all geometrically appealing and suspended on dramatic bails. Ms. Berlin has presented us with precise pendant design blueprints.

One doesn’t have to procure any architectural certification or license. Just get inspiration from the ideas and directions set forth in this book. Although it isn’t “The Architectural Digest,” the structures featured will enhance any “neckline.”

I Can Right Angle Weave

The Little Engine That Could

As I was reviewing this new beading book published by Lark Books author Madeline Gidez, I kept thinking about the children’s book, “The Little Engine That Could.”  The moral of this wonderful little story is “don’t give up.” 

Some of these beaded woven structures have been very daunting to me.  But, almost similar in age to the biblical, Job, I don’t give up.  The excellent instructions in this book are complimented by a multitude of well defined diagrams and twenty five projects which range from simple to challenging.  Each one is presented in large enough print for these ancient eyes.  We are taken along thru this book, sometimes huffing and puffing as the designer increases and decreases the structures to create bracelets, earrings, and necklaces of many styles and colors. Her arrow language is easy to follow along each and every curve, twist, and bend.

The gallery pages are filled with wonderful examples of imaginative creativity.  These artists, like the little engine, proved that they “could.”

Chain Maille Jewelry Workshop

Fire Breathing Dragon Scale Weave

 

A couple of years ago, my chain maille necklace was juried into the show “Maturity and its Myth.” The show was built around artist over the age of 70 whose creative juices were still flowing. Although, for many of us, our skin was now extremely dry and wrinkled.

I had wanted to create a piece incorporating the dragonscale weave chain maille pattern, but unfortunately after many hours of coiling, cutting, opening, and closing, I couldn’t get the aspect ratio to work. I settled on the European four in one as pictured below with the wire-wrapped Swarovski pendant as a focal point.

This book would have saved me many hours of labor and frustration. The information presented covers jump ring gauges, inner diameter, and aspect ratio. The purist can make jump rings or take the easier route and purchase same. The color coded illustrations and directions are easy to follow which solves the puzzle of “what goes next”?

Everything from Byzantine, Spiral, European, Parallel, Round, Persian, and my elusive Dragonscale Weaves are presented. The author, Karen Karon even shares a Half Persian starter tool which is wonderful for giving stability to this weave.

Thank you Interweave for leading this chain maille aficionado down the safe path. That fire-breathing dragon scale creature has been conquered and extinguished.

Congratulations to Theresa Kelly, winner of Lark Books "Metalworking 101 for Beaders."

Rustic Wrappings

Kerry Bogert

The autumn season is now upon us.  As I drove down our road, the sweet gum trees on both sides served as an arch.  The leaves are already changing from vivid green with a profusion of sweet gum balls to shades of orange, yellow, and red.  Nature has its own set of natural patinas.

This publication “Rustic Wrappings” has presented the reader with a lovely pallet of colors and the means of obtaining same.  I recall that in one of my metalsmithing classes we explored patination.  Harsh expensive chemicals were on hand.  One had to almost run a factory in order to obtain the expensive toxic chemicals that arrived in their gallon containers.

In this book, published by Interweave, there is the perfunctory list of tools, wire manipulation, techniques, findings, etc.  The exciting part of this publication is the presentation of patina recipes and sealing solutions.  We are taken on the road of discovery of liver of sulfur, oxidized patinas for brass, heat patina, and ammonia and salt water patinas, vinegar patina, potato chip patina, alcohol ink patina, in addition to rusting and sealants.

Once the author sets our gears in motion, the various projects are listed in a trip-tik like manner. Patina earrings, bracelets, necklaces, bangles, are stopping off pages.  Metals, whether twisted, flattened, hardened, embroidered, coiled, pierced, plated, etc., are incorporated into journey.

I felt like an explorer on a trip of discovery as I reviewed this extremely well mapped out book.

Metalworking 101 for Beaders

Something for Everyone!

  

Designing and creating custom findings, pendants, and other projects has never been too much of a challenge for me.  Since I am not self taught, I confess to having spent a great deal of time and money studying with the finest.  In essence, thought there wasn’t anything new to teach this old dog.

When I reviewed “Metalworking 101 for Beaders,” I was put down a notch or two. Yes, sheet, wire, and tubing are very familiar to me.  I have a workbench overflowing with tools and materials, but this book taught me a thing or two. 

Scrimping was an unfamiliar term.  Scrimps are more attractive than crimps and easier to affix with their tiny tools and screwdriver.  No accidental disheartening cracking and malformation of those elusive crimps.

The basic metalworking photos in the book were well defined and all explanations on how to proceed were clearly set forth.  In addition, author gives many wonderful clues to assist in sanding, forming, and soldering.

Twenty-nine projects were presented in an easy to understand format.  Candie shared many of her design concepts by providing multiple sketches.  I was intrigued with the details of the fanciful feathered friend broach which would complement any outfit.  It was an delightful  exercise utilizing many elements of jewelry construction. Author also shares many of her pattern templates.

As I stated in the beginning, there is something in this book for beaders and anyone interested in further whetting their creative juices.

Setting Stones in Metal Clay

Jeanette Landenwitch

 Just a Stones Throw Away

First of all, this is a spiral bound book.  This makes it so much easier to read the pages.  I don’t have to hunt in my cabinet for a stack of cans to hold the pages open.

The contents section of this publication by Brynmorgen Press is very thorough.  It covers gemstones, tools and materials, settings, bezels, prongs, and other setting options.

 I have perused many PMC Yahoo Groups and frequently the question comes up about setting stones and the appropriate stones to use with this material.  I learned that natural stones can be fired in the kiln, but others such as pearl, ivory, shell, coral, amber, and jet are verboten.  Most, but not all synthetic stones can be fired in a kiln.  Simulated gemstones comprise another category, such as the cubic zirconia that is ideal for kiln firing.

There is a table on pages 14 and 15 illustrating gem tests that were done by Kevin Whitmore and the staff of Rio Grande.  Here one can find many answers to both torch and kiln firing.

The line drawings of the techniques and the setting illustrations are well executed.  There is no guesswork here.  As an example, the bezel strip on page 44 is a definitive “how to.”  One is presented with a heat tolerant gemstone pressed into a lump of clay, variations of the method, and final finishing steps.

The goal of “Setting Stones in Metal Clay” was to expand the PMC’s artist’s stone setting options.  They are all here and are less than a stone’s throw away!

Winner of Lark Books Contest

Congratulations Jvaala!  You are the winner of contest ending Sept. 30, 2012.

Necklaceology

ology=branch of knowledge

The author, Candie Cooper, goes to all lengths literally and figuratively to show one “How to Make Chokers, Lariats, Ropes, and More.  She has gifted us with a book of 40 “Wow” necklaces.  There are projects illustrating samples of collars, chokers, princess length, and rope jewelry. 

Materials and necessary tools are covered in depth in this well conceived book.  Many of us have acquired books over the years.  If you have a collection like mine, some have disappointed and others have stroked our creativity.  This book is a prime example of “ology.”

The techniques section is comprised of stringing, connections, components, etc. 

 We are introduced to combining beads with wire, chain, silk cord and ribbon.  If the material is available, the author utilizes it in a myriad of interesting designs.

Whether one wants that Jackie Kennedy look with the lovely princess style length pearls, or the Maria Callas opera length necklaces, the choice is yours.  If you would like to travel back to the flapper era, this book will extend a hand.

Necklaceology truly represents a branch of knowledge on where to start and how to finish.  Most important of all, all this knowledge doesn’t require big bucks or leaving home for an advanced degree.

Marketing & Selling Your Handmade Jewelry

Vicki Lareau

The Green Light

Early in my career as a designer, I was passionate about my work.  Although I had family responsibilities, which I prioritized, many of my remaining hours would be spent thinking about and creating jewelry.  During this period, I would view findings and tool catalogs, have serious discussions with other designers, and attend workshops and classes, hoping to make it all happen.  Recognition and sales was the name of the game. 

And “happen” it did, but slowly. This book, “Marketing and Selling Your Handmade Jewelry” would have paved the way for a much smoother

ride.  No heavy equipment is needed to get one down to the business of “marketing.”  Author discusses in depth the first steps one must take to make the red light turn to green.  She points out the importance of building a portfolio, pricing, selling both wholesale and retail, and most important of all “marketing.”

Unless we want to be idling behind a “red” light for the rest of our careers, this book helps direct us on our journey.  No GPS is needed!

September 15, 2012 Lark Books Winner.

Congratulations Robyn S.  winner of the Lark Books Contest.

Contemporary Metal Clay Rings

Nothing Left to Chance

Reviewing books on this blog site has given me a wonderful opportunity to receive, review, and almost always “rave.”

In my English 101 class many years ago, the instructor was emphatic.  The mantra was that when writing an essay “tell your audience what you are going to say, say it, and then tell them what you said.”  I hope you will agree that I learned my lesson well.

The book “Contemporary Metal Clay” by Hattie Sanderson captured

my attention with its wonderful metal clay ring on the cover.  The well documented pages fully explain the use of tools and techniques, materials, shaping, firing, finishing, etc., and how to add those extra appendages which elicits all those oh’s and ah’s when viewed.

Sections in the book concentrate on ring shank types, and many other aspects of creating with metal clay.  These include making holes, components, forming, sizing, patinas, etc.

The 72 featured rings display intriguing designs enhanced with various stones of all shapes and sizes.  Who said it couldn’t be done?

As I said in the beginning “nothing is left to chance.”  The artists who have contributed to this book have demonstrated to metal clay aficionados the wonderful versatility of this material. And, Hattie Sanderson and Brynmorgen Press are the ones to applaud.  

Professional Jewelry Making: Alan Revere

No Fuel Necessary

The other day I received the above book from Tim McCreight of Brynmorgen Press.  I own an original copy of this publication, but had never reviewed same.  Members at a workshop that I attended were praising the book, so for me it was a “must have.”

Upon taking off the shrink wrap and opening the first page, I had a very strong olfactory sensation.  It felt as though I had just stepped into an elegant automotive showroom and had opened the door of a new vehicle.  My senses told me that I was in for a wonderful ride on a jewelry making adventure.  The beautiful front cover of the book was a further affirmation of the well defined learning experiences appropriately outlined in “gold.”

The pictorial content pages are well laid out similar to a dash panel on a superior automobile.  No guess work here.

The author covered each and every aspect of getting started.  This was much like the manual found in a car’s glove compartment.  No foreign language mumble jumble here, just straight forward talk.  Each and every project was presented with beautiful photographs, thorough instructions, with lists of material and tools.  I felt exhilarated.

Alan Revere is a visionary.  He has presented us with a masterful book.  I felt like I was on a terrific joy ride as I turned the key and set out to explore each and every page before me. 

   

Great Designs for Shaped Beads

The Choice is Yours

We can go into a grocery store and marvel at the many different choices of lettuce.  One is enticed with arugula, cobb, boston, little gems, mesclum, mizuna, purslane, and the ubiquitous iceberg dressed in its see through garment.

The selection of cheeses offer a myriad of olfactory sensations emanating from american, gouda, blue cheese, swiss, parmigiana, goat, cheddar, ricotta, brie, etc.

Jams and jellies, by-products of fruits from all over the world, line the shelves in profusion.  The colors and selections are overwhelming.

“Great Designs for Shaped Beads,” is similar to a grocery store.  In this book, we are introduced to a multitude of choices to savor and consider for our favorite creative endeavors.  No longer do we direct our thoughts to “round” beads, much like “iceberg and American.”  Tilas, peanuts, and dagger beads whet our appetite for new and interesting challenges.

In my opinion, this book could have been called “Rachel Ray at Her Best.”  The projects are fun and the finished dish, whether worn on the arm, wrist, or finger, are enticing.  The many shapes, colors, and styles of these beads are conducive to a wonderful creative adventure as we experience page after page of this inviting new shaped beads “cookbook.”   

Crochet Garden

Mary, Mary Quite Contrary

Suzann Thompson has created a lovely book.  She chooses some of my favorite blooms from my spring and summer garden.  Fortunately none were as labor intensive to cultivate as my blooms.  None required fertilizing, weeding, pruning, and pinching.  Her tools are small and light weight.  She had no need of a barrel, spade, or hoe.

“Crochet Garden” takes the reader thru easy, intermediate and experienced skill levels.  The instructions leave nothing to chance.  The author illustrates how different types of yarn and different hook sizes creates different looks, all of which are very appealing when completed.  This book doesn’t present a “how-to” glossary of crochet stitches.  Various sites are cited where one can refresh this vocabulary.   The importance of proper blocking and finishing is emphasized.

I attempted to crochet some of the flowers and leaves presented in this comprehensive book.  The easy one, such as the Sunflower on page 60, was just that.  The Dogwood, on page 40, enticed me to try to reproduce this lacy bloom.  Although it was an intermediate pattern, I was able to recreate it after a couple of attempts.

Inasmuch as my writing skills are better developed than my crochet ones, I didn’t attempt the Forget Me Not.  But, I will certainly do so in the near future.  Maybe it will just take a little bit more perseverance such as Mary, Mary, Quite Contrary, displayed when planting her backyard ever blooming garden.

 

Winner Contest Ending Aug. 31, 2012

Congratulations to A. Gibney. She is the winner of the Lark Books "Beading with Gemstones."

Practical Joining

Bringing It All Together

It was going to be a real challenge. I had crocheted a rectangular swatch from fine silver wire. The design that was racing around in my head would incorporate this piece as the inner body of my butterfly broach. The form itself was constructed of black Lucite. The next stepwas to place the airy crocheted piece over this. A winged sterling silver frame was then placed as the edging over the entire butterfly. So far, so good! After much hit and miss, I decided to join the completed piece together with very small brass brads. In addition to a great “cold connection,” they lent a decorative accent to the construction.

The book “Practical Joining” by Tim McCreight, is an excellent compilation of various cold and hot joining techniques available to the contemporary metal smith. The illustrations and explanations are straight forward. It is pointed out that some materials, like my Lucite base are heat sensitive, so therefore, heat connections are out of the question. The different sections of the book cover cold connection elements such as rivets, tabs, staples, bezels, glue, friction collars, settings, threaded connections, bolts and nuts, etc.

The hot connection section discusses soldering and all that is involved in the process in addition to brazing and welding. There is an excellent section on all the necessary tools for successful hot connections.

If I had owned “Practical Joining,” with the comprehensive section on “cold connections,” my butterfly could have emerged from its cocoon much sooner.

Metal Clay Rings

Not Enough Fingers or Toes

Do you remember playing with that lump of clay as a child; kneading it and then rolling it into a ball? I would pull off a small amount, roll it on a hard surface to create a snake and then form it into a ring. If it was well done, I would keep if, if not so well done, I would give it to my younger sister.

I marvel at the various styles of rings presented in this book by Irina Miech, published by Kalmbach Publishing. All were constructed using silver metal clay PMC3 which comes in lump, syringe, paste, and sheet.

The rings in “Metal Clay Rings” are more than snakes of clay. Their thickness is measured and then the various projects show step by step instructions for finished rings that have been fashioned by various techniques. Some have been rolled and trimmed, others incised or stamped, while others illustrate such techniques as molding. Many are enhanced with CZ and lab-grown stones and dichroic glass.

There is no guess work involved. It was almost like deja vu. Hot or cold weather didn’t deter me. All I needed was my small lump of clay.

What my sister wouldn’t give for one of these delightful metal clay rings.

Beading with Gemstones

Valerie MacCarthy

A Gem of a Yard Sale

My visit to my children’s principal’s home one day promised to be quite fortuitous.  He was gathering things together for a yard sale.  The money gleaned would pay the insurance premium at his daughter’s “special needs” school program.

The backyard was filled with all sorts of odds and ends.  A box of sparkling gemstones caught my eye.  Evidently a former beader had donated them for the sale and he hoped they would bring a good price.  There were various shades of coral, tourmaline, amethyst, quartz, amber, etc.  Inasmuch as I have had experience setting and stringing beads and gemstones, I knew this was my treasure trove.

The book “Beading with Gemstones” has been a valuable source of reference for many of my beginning to intermediate beading students.  I have shared this book and many of the gemstones I acquired that lucky day.  The instructions leave no questions unanswered.  The photographs are well focused and a very good list of materials and tools were included in the presentation.  Each project has its own special sparkling allure.

One doesn’t need a yard sale to acquire any of the gemstones.  But, sometimes we do luck-out!

WINNERS

We have two lucky winners in the August contest.  Congratulations to D. Sislen, who won the wonderful Lark Book, "Showcase 500 Necklaces" and B. Etta, winner of the Carol Sharpe beautiful bracelet.  

Making Metal Clay Jewelry

It’s Probably on the Shelf

As I looked over this list of supplies in this book written by Cindy Thomas Pankopf, and published by Kalmbach Publishing, I was overjoyed.

In terms of the tools listed, no problem. I have a deck or two of cards. When I’m thinking about my next book review, the game of solitaire helps me focus. My kitchen cabinet proudly displays my butane torch which I light with quite a dramatic flourish when presenting my crème brule. Freezer paper is ever present for the meats and poultry brought home to languish in the freezer. Striped and multicolored straws rest side by side in the drawer for my grandchildren’s visits. Paper towels are stacked row after row, can’t ever turn away from a sale at Cosco. Oven toaster always plugged in ready to go inasmuch as it was once reserved for bagels. Always plenty of olive oil and hopefully neither I nor it will get rancid before our time. Files, paintbrushes, sandpaper, drill bits, tweezers, and polishing pads are a given in any artist studio.

The above is not a long list and is a fairly inexpensive one. Once you have them all collected, you are ready to go for it.

“Making Metal Clay Jewelry” has a wonderful step by step progression of exercises. The oval loop earrings on page thirty are a great example of an easy but sharp look finished project. The photography is excellent and directions are easy to follow. Very good tips are presented on practically every page.

Pendants, rings, earrings, stone setting, bracelets, necklaces, and beads beckons the metal clay enthusiasts on each and every page of the book. One can have almost immediate gratification when attempting any of the designs. And, you don’t have to worry that you’ll make the kitchen too hot when lighting your oven.

500 Earrings

Precious Lobes


Lightness, length, movement, suspension, symmetry, etc., are always attributes to take into consideration when designing earrings. No other forms of jewelry are as visible as earrings. They are sculptural manifestations of a designer’s and wearer’s mindset.

“500 Earrings” published by Lark Books, is a wonderful compilation of unique and interesting forms, concepts, and presentation.

Ear piercing was something I had never considered until I was in my late 20’s. Since my budget was limited, I could never envision owning a pair of Tami Dean’s Glitz Kick earrings of 18Kt gold decorated with rainbow pyrite, spinel, and diamonds. My style gravitated to a simple pair with small hoops and a most uncomfortable clip on mechanism.

Sometimes I would wear a conventional pair of pearl earrings, decorated with a faux jewel dangling on a jump ring. Nothing was as striking as Deborrah Dahr’s Red, White, and Blue earrings created using 22kt, and 18kt gold, lapis lazuli, garnet, and pearl.

Today, my style has changed, but alas not my jewelry budget. What I would give to own Masako Onodera’s “The Mating Season.” I have a long neck and the sterling silver, freshwater pearl, polyethylene cord earrings would surely enhance any of my ensembles

Hsiao Chia-Pei “Change” with its aluminum, dye and anodized material sieve like shape might fit well into my stash of kitchen utensils.

Alan Revere’s shield like shaped earrings “Pearl Reflections” brings out the battle cry in me.

Tessa E. Richard’s earrings could be worn as a hat if one was so inclined.

The earrings featured in “500 Earrings” should convince a designer that “once you get the hand of it,” anything goes.

The Complete Book of Jewelry Making

By Carles Codina

Not Just Another Juice Table Book

This Lark Books publication is heavy with material and not just weight. I studied with Heikki Seppa for many years. He had retired as the “master” in the Fine Arts Metal Department at Washington University in St. Louis. During our sessions together, his adage was “learn one, teach one.”

Carles Condina does just that. He learned his lessons well. In this well documented and illustrated book, there are lessons that he shares to be studied and learned by all.

I used to marvel at the ingenious hinges, pin back, and latches that I would examine on many pieces of jewelry. How does one construct, place, and design these elements to do their trick. How does one become “unhinged?”

My strong recommendation is to get your gloves on this book. It contains invaluable information on many of the skills needed to become a heavyweight in the jewelry making arena.

Winner of "1000 Rings" contest

AJ Henry is the winner of the Larks Book Contest, which ended July 31, 2012. Congratulations AJ.

500 Necklaces

The Juice Table Book

Many of the marvelous Lark Books are described as “coffee table books.” They are great conversation tomes. Since I don’t drink coffee wherever I sit or recline, what should I call them?

Finally the inspiration came to me. On glass table surrounded by clutter, a brimming crimson glass of cranberry juice stood out. Thus I labeled my table “The Juice Table.”

“500 Necklaces” is a beautifully produced book to sit on any “juice table,” to be picked up, contemplated, and examined page by page. Juried by Marjorie Schick, this was quite a demanding task. She had to consider over 5000 entries. I believe she was very astute in her final 500 choices.

The necklace form of adornment goes back to the Neolithic Age, around 15,000 BC. There are many reasons given for making necklaces such as “demonstrations of power, love, status, religion, and wealth, etc.” My reasons are pure and simple. I create because the act gives me tranquility and happiness.

The materials utilized in the featured group ranges from the radiant gold, fine silver, and wonderful gemstones, to the innovative use of steel, silver, and hosiery (now I know not to discard anything,) by Sarah Turner. Christine Bossler’s neckpiece tickled my fancy. Yael Krakowski “Elephant Necklace” with glass beads and knitted cotton thread related to my interest in textile techniques for jewelry. Dallae Kang captivating squared box-like shaped structure was tension set, fabricated and hand cut, making use of sterling silver, and acrylic.

These are just a few of the presentations that drew me into the book. They all project a wonderful glass filled to the brim with creativity. I believe “500 Necklaces” is guaranteed to quench your thirst with inspiration. This is another winning “Juice Table Book.”

SHOWCASE 500 BEADED JEWELRY

A Grain of Sand

Have you ever walked on the beach and felt the warm sand between your toes? The warmth envelopes your entire being. Sometimes a rather drab day enfolds you in this wonderful happening. As I experienced this book, I kept thinking about the grains of sand that are part of the entity that makes up “beads.”

“Showcase 500” introduces the wonderfully talented artisans that take these tiny spherical forms and create magic. Many of the wearable art forms must have taken hours to create, but what’s the rush? The finished pieces are glorious. Bead weaving, bead embroidery, and bead stringing are some of the methods embraced to produce these amazing body and hand adornments.

After perusing the book, I watched a video of Teresa Sullivan’s bead work. She is a master in this medium. The piece she demonstrated was a sculptural bead head. Her actions were quick and decisive in her choice of beads and colors. The finished bead was quirky and delightful.

Met Innmon drew me in with her Egyptian Waves Collar. I could visualize it as Cleopatra (Elizabeth Taylor) wore it. No wonder Julius Caesar (Richard Burton) could not resist her wily ways.

Hub Peterson’s Blue Waterlillies necklace is beautifully designed and constructed. Wow, wouldn’t I be the bell of the ball at a summer party as I entertained in the gazebo.

The photographs in this book captured each and every tiny colorful speck worked by the talented beaders as they created. What a delightful memory of my walks on the beach this inspiration book elicited.

METAL CLAY & COLOR

24 In a Box

Ice cream cones were special. But, my favorite treat was a “24 in a box” crayon set. At that time, this box was considered to hold all the colors of the rainbow and then some. I could spend hours swiping them across the paper, coloring in blocks of letters, melting and combining them, and generally enjoying all their intrinsic colorful beauty.

I got this same sense of the effect of color when I reviewed Kalmbach Publishing newest book, “Metal Clay & Color.” Several years ago I played around with metal clay. Although there were many aspect of the material I found to be interesting, the lack of color to me was a turn-off. Not anymore! This “colorful” book by Mary Wohlgemuth, with a foreword by Celie Fago, is a must see, must have read for all metal clay artisans.

There are numerous projects listed beginning with “Easy keum-boo” where one can even utilize gold leaf, to a series of “Legends Rings” where one is introduced to the use of dichroic glass scraps to create various colored dynamic cabochons.

Color agents such as dye oxides, polymer clay, ceramic clay, and low fire under glazes are utilized in many of the projects. Gilders paste, a durable wax medium is introduced which adds an extra punch to the Flor earrings project. Alcohol ink is another technique used with great success.

This book is a Pandora’s crayon box of more than 24 colors for the metal clay artist. Watch out “Crayola” you now have lots of competition.

Steve Shimatzki is the winner of “21st Century Jewelry” sponsored by Lark Books.

If you would like to be in the random drawing for “1000 Rings” published by Lark Books, please enter your name in the “comments” section under the review. This current contest ends July 31st. All review are published on my web site at
http://www.rite-it.blogspot.com.

If you would like to read additional reviews about this book, click on the Amazon.com banner above my profile. You will then be linked to their site where you can also purchase this book, books, or other merchandise. Linking through my site to Amazon.com will help increase my book review rating.

1000 RINGS

A Smorgasbord of Styles

Several years ago, Robert Ebendorf presented a seminar at Craft Alliance in St. Louis. He also stated at the time that “rings have always made a powerful statement.” I was wearing a necklace which I had designed with an intricate chain....think “rings.” He pointed out the various features of these rings and the construction of the piece. I was flattered by his comments and have continued to think about my message when I envision a design.

The wonderful and diverse variety of the rings featured in this book is both imaginative and engaging. I was delighted with the whimsical feathers incorporated into Serena Van Rensselaer’s “Isadora Ring.” Hope her client checked on the weather report before venturing outside.

Eva Werner’s ring reminded me of a hamster’s wheel. Thought it would be fun to take a spin around town with this on my finger.

Bruce Clark’s “Scratch That Itch” ring demonstrated in my mind that on design day he was warning people that they had better not get too close.

Inasmuch as my primary interest is “textile techniques in metal,” I loved Cathy Chotard’s gold and nylon thread ring. SergeyJivetin’s “Volume” ring elicited that same kind of response.

Michael Boyd’s rings were very captivating with their encrusted gemstone shanks. This “Poison Rings” group would certainly come in handy if one was in a tight spot.

Jeffery Taylor’s ring would be helpful on the cleaning lady’s day off.

Junghyun Woo’s “Something Container” with ring was beautifully simplistic. Each complimented the other.

All rings featured in this book illustrate the creative nature of the designers. Their choice of material is endless which range from every day items found in the home, and field, to gold, silver, platinum, titanium, gemstones, pearls, etc. The designs run from the ridiculous to the sublime. They are great conversation starters which don’t belong in gallery drawers, but on fingers for all to examine, question, and enjoy.

Women From The Ankle Down

The Story of Shoes and How They Define Us

Rachelle Bergstein

I really did enjoy reading this book by Rochelle Bergstein. She took the readers on an exciting walking stroll thru the definitive history of shoes.

Her research is impeccable as she traces the “shoe biz” captivating stories of Ferragamo’s humble beginnings in the period before WWI. Shoes were created by hand whereas now they are mass produced by industrial footwear manufacturers.

In ancient times certain types of shoes designated status. Times haven’t changed according to Bergstein, although the styles and materials are now limitless. One can pay an arm and leg today for a divine pair of shoes designed by such illustrious names as Christian Laboutine, Jimmy Choo, or Manolo Blahnik, idol of the Sex & the City Clan.

Bergstein writes about which individuals and times influenced baby doll heels, ballet flats, Birkenstocks, etc., and effects of fashion vs function. Judy Garland, Lana Turner, Jennifer Lopaz, Lady Gaga, is among this group. Each one in their own fashion made a particular style or pair of shoes popular or objects of desire. High heels elicited an aura of sexuality, and boots signified a woman’s empowerment.

The average woman has over 50 pairs of shoes. We are modern day Imelda Marcos. Bergstein believes they define who we are or want to be. Many of us just want to be “comfortable in our own shoes.

21st Century Jewelry

Something Uniquely Different


Our family, all eleven of us, recently visited Las Vegas. Together, we celebrated my husband’s and my 60th wedding anniversary at the Venetian Hotel. My blog book reviews always describes some wonderful jewelry book publication. The Venetian Hotel reminded me of a beautiful precious jewel sparkling in the desert. As I perused “21st Century Jewelry,” a part of the Lark Books 500 series, I could not help but make this comparison.

The creativity that comprised the artistic sensibilities in each and every page is also evident in the lush ambiance of this “all suites” hotel. Seainin Passi’s droplet necklace resembled the azure blue of the pools with their gorgeous ever blooming gardens. As we strolled down the magical shopping promenade, the gondoliers summoned us with their lilting voices. We were enraptured by all the magnificent sights. Many of the amazing jewelry featured in this book had a similar effect on my sensibilities.

The Venetian Hotel is a rare specimen comparable to the Vesuvius Ring by Vicente Agor. Both showcase an abundance of color and beckon one in to experience its entire splendor. The Lark Books “21st Century Jewelry” with its captivating photographs and the Venetian Hotel in Las Vegas will forever be etched in my memories.

CLASSICAL ELEGANCE

Art History 101


It is wonderful that Maggie Meister had the opportunity to travel and live in Italy for five years and fall captive to its “splendor.” Many years ago, we took a cruise to the Italian Riviera, but alas could not disembark in Naples because of “too many unsavory elements.”

I am now fortunate to have the opportunity to take the journey with this elegant book “Classical Elegance” through her eyes. I didn’t need any special traveling gear, but just my eyes open wide. The mosaics, architecture and rug patterns with their vivid colors became the focus of her artistry.

Stitches or combination of stitches are very well illustrated and described. Her mantra is “practice, practice, practice.” Twenty organized project are presented. She elucidates what influenced their conception. Seed beads of every shape, size, and color, along with other necessary material and tools are very well documented.

Many books attempt to teach, but this book really does without a lot of confusing jargon. It is easy to follow the little arrow as it too makes the trip of discovery for the beader. I really appreciated the numeration of some of the designs such as the Laksmi Pendant. It was better than a compass.

Thank you Lark Books for the visit back to antiquity with this amazing book, “Classical Elegance.” It rivals many of the art history books I have read.

WINNER

LISA BROUSEAU is the June 15th winner of the Lark Book Contest. She told us she just celebrated her birthday so she was very excited with her unexpected birthday present. "Master's Gold" is on the way. Happy Birthday Lisa, and Congratulations.

VINTAGE JEWELRY DESIGN

This book “Vintage Jewelry Design” by Caroline Cox, and published by Lark Books is an exquisite photographic experience and education. The vintage jewelry chosen to be represented here provides an extraordinary visual awakening. Lush broaches, necklaces, rings, earrings, etc., are featured and created using every conceivable material and style. Their acclaimed costume and precious metal jewelry rein supreme.

My own personal experience with vintage jewelry began many years ago. It happened when I was traveling to New York with a very wealthy friend. Her husband had ordered a car and driver to take us to Sotheby’s. Upon entering the very imposing showroom, we were whisked into a private room where a very prim and proper young woman greeted us. After a few minutes of conversation, we were presented with the most glittering display of vintage jewelry I had ever seen.

My friend makes this trip to choose her jewelry wardrobe. Each piece was more dazzling than the other. My friend would be gifted with one of these prizes for special occasions each year such as birthday, anniversary, mother’s day, good wife day, and other sundry celebrations. I asked her whether the lack of surprise, since she had made these selections, bothered her. She looked at me with her rather Cheshire cat grin and said, “You’ve got to be kidding!”

Needless to say, the whole adventure to Sotheby’s was surreal. There was jewelry displayed from Art Nouveau designers such as Georges Foucault His broaches encrusted with both diamonds and pearls were particularly beautiful.

We were also treated with the display of several tiffany pieces. We exclaimed over a particularly striking sensuous pendant with the iridescent Favrile glass.

Eugene Joseff’s was a showcase of many styles and types. His jewelry was featured in many movies. He was considered a jeweler to the stars.

If you don’t have a very wealthy friend to take you to Sothebys in New York, don’t fret. You can now live vicariously as I do by purchasing this fascinating book, “Vintage Jewelry.” It will transport you from the 1890’s to the 1990’s future collectables. You can have it all in one splendid volume.

METAL MAGIC

Abracadabra

One doesn’t have to be a slight of hand artist to create the exciting jewelry projects in Kim St. Jean’s new book.

The instructions on torch and kiln enameling, etching, piercing and setting, etc, are all there. One’s 401 K doesn’t have to be depleted to require the necessary base tools. The sections on each technique present a synopsis of each necessary tool for the successful completion of all projects.

They say that practice makes perfect. With this book, “Metal Magic,” it is in the cards that every project is a winner. When worn, your creations will get rave reviews and a standing ovation.

SIMPLY STYLISH CRYSTAL JEWELRY

ON YOUR MARK, GET READY,GET SET, GO


We all have to start somewhere. My first tube and packages of crystals lit up a starless night. I purchased them in both large and small quantities, shapes, sizes, and colors. I would lay them out on my beading design foam and play away. Even though I was dazzled by their alluring sparkle, their design possibilities challenged me.

This most current publication “Simply Stylish Crystal Jewelry” by Kalmbach Publishing Company, compiles a luscious array of provocative designs culled from “Bead Style” Magazine. Page after page, starting with the introduction, provides invaluable useful information. The supply lists are invaluable. The high resolution of the projects photographs are a wonderful eye catching enticement for the viewer. There is nothing here that even a beginner bead aficionado cannot follow, complete, and be excited to wear, gift, sell, or barter.

Every beading enthusiast should unpack their tools, crystals, and findings. Next step would be to purchase “Simply Stylish Crystal Jewelry.” You don’t even need good illumination. Your crystals will light the way.

CLASSIC STYLE

The In Crowd

When I was growing up, there were classic styles one wore to fit in with the “in crowd.” My outfit consisted of black and white sandals or brogues, white bobby socks which were usually glued to my legs, and a plaid skirt held together on one side with a large safety pin. Jewelry was a sterling silver ID bracelet, or a fraternity pin, if one was so lucky, or a sorority pin affixed to a cashmere twin sweater set purchased if one had a after school job.

Irina Miech’s “Classic Style” book transforms yesterday’s jewelry styles into something new for the here and now. She leads the artist down the path to new discoveries while never discarding the old. Mixed metals, traditional materials and a discerning eye helps one create their own distinctive style.

The classic girl can become the classy woman with this fun-filled Kalmbach Publishing Company new book, “Classic Style.” It should be on every creative designer’s “Wish List.”

Masters Gold

The Gold Rush

On January 24, 1848, the California Gold Rush began. James W. Marshall found “gold” at Sutter’s Mill in Colona, California. Gold is one of the most rarest metals in existence today. The ductile quality of this precious metal allows one to manipulate it into thin wire, melt it into tiny granules, cast, mold, fabricate, fold, etc.

The wonderfully talented artists in this beautiful book, invites the reader to experience “gold” in all its glory. Michael Good, a student of Heikki Seppa at Washington University in St. Louis, took the sculptural articlastic form and miniaturized it into his own signature jewelry.

Jacqueline Ryan’s exquisite jewelry reflects her astute observation of nature’s animate and inanimate forms and structures.

These jewelers truly do have the “Midas touch.” Curator Marthe Le Van has created a provocative collection of major works in this inspiring Lark Books publication. The pictures are exquisite representations of all of the featured jewelry. Each and every piece is worth its weight in gold.

WINNER

Gail Devoid of Boscawen is the winner of the Lark Book contest ending May 15th. Congragulation Gail. We're sure you will enjoy the signed copy of "Making Wire Jewelry by Janice Berkebile and Tracy Stanley.

30 Minute Bracelets, 30 Minute Rings & 30 Minute Necklaces

3+1=4

I recently reviewed Lark Books 30 Minute Earrings by Marthe LeVan, so that is where the mathematical equation comes into play.  “Three’s company and four’s a crowd” is certainly not true in this case. The 45 designers create 60 playful and fanciful projects.  Each book is filled with clever and easy-to-do assortments of bodily adornments.

The beginning introductory section in each book prepares one for a wonderful creative adventure. Every conceivable material is utilized to create the imaginative objects. Author posts clever time driven organization in each section.  GET READY emphasizes skills needed.  GET SET focuses on tools and materials, GO guides one down the instructional path.

Each project makes one feel the time is now.  There is something for every spirit and season.  I wanted to get started immediately.  How exciting it would be if I were a creature from outer space.  That way, I would have enough fingers, wrists, necks, and ears to parade across the universe bedecked in all my finery.

Beaded Fantasies

“Beaded Fantasies”


Sabine Lippert

A Night on The Town

Have you ever viewed the wonderful photographs by Bill Cunningham in the New York Times? His bi-line is “On The Street.” This week’s photo montage “Fabulosity” said it all. Women bedecked in fabulous jewelry and gowns.

“Beaded Fantasies” by Sabine Lippert says it all. Inspirational chokers, pendants, necklaces, earrings, bracelets, and broaches exemplify her wonderful sense of design and color. The author practically takes the viewer’s hand as she leads one from list of supplies and techniques to her exciting world of bead design projects. The photographs are outstanding and the directions very well defined. It is captivating to note how each design evolved. The gallery pieces illustrate wonderful examples of what has been created by a world of talented beaders.

The page after page of “beaded fantasies” lured me into a state of euphoria. To prepare for “my night on the town,” I’m going to make a bee-line to my favorite bead store and adorn myself in some of these fabulous creations. Maybe Bill Cunningham will take note and you’ll see me in his next photographic spread if and when he comes to town.

  CLICK IMAGE OF BOOK TO BE LINKED TO AMAZON.COM WHERE YOU CAN PURCHASE THIS BOOK AND OTHER ITEMS.

Knitted, Knotted, Twisted, & Twined – The Jewelry of Mary Lee Hu

                            

Rapunzel

Through the years some artists have had an impact on my jewelry making life.  Among those most prominent is Mary Lee Hu.  I discovered her amazing wire work when my husband and I were in Los Angeles.  We walked into a gallery and her jewelry was exhibited there.  The light reflective shimmering undulating surfaces were spellbinding.  I contacted her at the University of Washington and subsequently signed up for her textile technique and wire workshop in Arizona.  As far as my story goes, I was hooked.

Mary’s jewelry and sculptural pieces exhibited in the retrospective show at Bellevue Arts Museum are her history.  The beautifully crafted catalog/book of 100 exceptional chokers, earrings, broaches, and neck pieces chronicles her artistic growth as a student and subsequent master of her craft.

All renderings and notations are very insightful.  They demonstrate an artist working on a concept and then carrying it to fruition.  This is a wonderful way for the viewer to experience the creative process.  One example is the bracelet on the first page of the portfolio section.  Another example is the bracelet #37.  Each piece is flawless.  The fine silver and gold wirework, whether knitted, knotted, twisted, or twined, is an extension of self.

Mary always brought some of the beautiful twine structures, as featured in this book, to her workshop sessions.  Her students were able to personally visualize their movement, design, and intricate wire and fabricated construction first hand.  She also shared many of the chains and belts that she had collected during her many travels throughout the world.  It is obvious that many of these samples constitute a major influence on her growth as a critically acclaimed international artist.

This book/catalog also has a section in the back that explains various techniques for “working with wire.”  Great starting point for those whose interest has been whetted, but don’t know where to begin.

I was also fortunate to be able to study with Heikki Seppa.  Heikki was a friend and colleague of Mary Lee Hu and a devoted admirer.  Several of her small fine silver wire insects were nesting under the glass top of his coffee table.  Since he knew I was fascinated with textile techniques, he would take them out for me to touch.  Instead of firing up the torch, we would spend the afternoon studying and discussing the life-like renditions of these small creatures.

 I am so proud to know Mary Lee Hu and be the recipient of this beautiful catalog/book.  The photographic details are breathtaking.  If one doesn’t own one of her spectacular fine silver or gold pieces, the next best thing would be to purchase this catalog/book and marvel at the unbelievable “Knitted, Knotted, Twisted and Twined” creations featured in full splendor.